Peter Arno (1904–1968)
Cartoonist, The New Yorker

Peter Arno was one of the defining voices of The New Yorker’s early decades, helping to shape the magazine’s visual identity with a style that was both elegant and quietly subversive. His drawings captured the wit, sophistication, and underlying absurdities of urban life in the 1920s and 30s, often with a sharp eye for social nuance and human behaviour.

This portrait presents Arno in a characteristic pose—relaxed, observant, and slightly removed—reflecting the sensibility that informed his work. Beside him, an easel displays Man in the Shower, one of his most recognisable images, anchoring the figure in his artistic legacy while avoiding unnecessary embellishment. The intention is to let the personality and contribution speak plainly.

Arno’s life and career have been thoughtfully documented by Michael Maslin in his biography Peter Arno: A Cartoonist’s Life, which sheds light on both the brilliance and complexity behind the drawings. https://www.amazon.com.au/Peter-Arno-Yorkers-Greatest-Cartoonist/dp/1942872615

This work forms part of an ongoing series exploring key figures from The New Yorker, interpreted through contemporary 3D portraiture.

Peter Arno (1904–1968) Cartoonist, The New Yorker